top of page
  • Jun 8, 2017
  • 3 min read

Updated: Jun 26, 2024

I hope that all of you—both you newcomers and old loyalists—know just how important you Champions are to me! I can write because of your support—and your encouragement gives me a helpful nudge whenever I need it, too. But that love can be a double-edged sword because I love all of you—not just the majority—and that’s where my characters come in.

I have a lot of characters that are universally loved—like Rakel of the Snow Queen series, or Britt of King Arthurs—but like all authors, some readers dislike a few of heroines—and it changes from reader to reader. Some dislike Dylan of Little Selkie, others don’t care for Gemma of Rumpelstiltskin, and some people don’t sympathize with Cinderella.


You see all the heroines on that heroine poll? Each and every one of them, even the most popular like Rakel and Britt, have had a reader dislike or even hate them. But I’m okay with that, because it’s not possible to create a character everyone loves, just like it is impossible to create a story that everyone loves. But even more important, I accept that some of my gals will be less popular because—as you can see based on the votes—to someone, each of those heroines meant something.


I’ve had a few of my fabulous champions request that I re-write heroines that they dislike, and while I can understand where they are coming from (it’s disappointing to read a character you don’t sympathize with) my answer will always be a loving no. I feel like we need an example for this, so I’m going to use Odette of Swan Lake.


When Swan Lake first came out, many champions were a little unsure about Odette—she just didn’t jive with them. To put it simply, a lot of you didn’t like her very much. As you can see in the poll, she is not one of my most popular characters…but I have received some of the most heart-warming letters because of her. Odette—out of ALL my female heroines thus far—brought in the most mail to me in which readers poured out their hearts. I received emails from people who told me they had never before felt such a connection with a character, because the problems she faced as a leader were so much like the trials they went through. I received letters from people who indentified heavily with Odette, and felt like she brought them hope.


And that is why I will NEVER, EVER re-write one of my heroines. Because I will not take away the comfort those champions found in that story, and I will not remove my support from their struggles, even if they are in the minority.


I just write books. In the big scheme of things, I’m not heroic or particularly special. But I know people find hope in stories, and I never want to steal that from them.


Keep in mind, I’m not trying to shame anyone for disliking a character. Believe me, I have certain characters that I love, and certain kinds that I reaaallly dislike. (Romeo and Juliet, I’m talking to YOU TWO. SERIOUSLY. WHY YOU DO!?!?) So please keep on talking about characters—shedding light on your likes and dislikes—and give HONEST reviews, and all of that!

But if you read a book—whether it’s one of mine or from another author—and you find that you just don’t like the main character, please have patience…because the book probably wasn’t written for you.


Whew, that was a bit of a long post, but thanks for reading, and have a lovely weekend!


Rewriting Characters

 
  • Apr 25, 2016
  • 6 min read

Updated: Jun 26, 2024

Today I’m going to talk about something that would normally cause me to shiver in horror and run away: I’m going to discuss the first book I ever wrote, The Awakening Call.


Writing Tips Don't be Discouraged

Those of you who are longtime Champions know that I avoid talking about the first book I wrote like it is sick with the plague. I wrote it when I was about 13-years-old. It was a sci fi story that had a flavor of X-Men to it as a lot of my characters had mutant-esque powers. It’s awful, it’s clunky, and while I would prefer to forget about it I feel like it’s necessary to keep it on my computer so I remember how far I’ve come. So why am I bringing up something I would much rather forget?

First of all, I figure you guys can always use a laugh. But the main reason is that I want to encourage the budding writers out there. It’s unfortunate, but while many people want to write books, most of them don’t even finish their first book, much less write more than one. A lot of it is because writing a book is a test of determination and perseverance, but some give up because they feel discouraged. They feel that their work isn’t good enough, or that they don’t have a story of worth to tell.

Here’s the thing, first books are usually terrible. Writing a book is a lot like learning to draw or starting an instrument. It will take a lot of practice and patience before you are able to produce a high quality novel. You can see this in my own writing. My Robyn Hood books were my second and third books released on Amazon. If you compare them to either of the Snow Queen books, it gets really embarrassing.

The Snow Queen books are so much better because I have two editors that went over it, but also because in general I’m a better writer. But let’s really drive the point home and compare passages from my newest, unedited manuscript–Swan Lake–to the first book I ever wrote, The Awakening Call.


The Awakening Call (KM: Brace yourselves–seriously.)

A voice cracked over a loud speaker in the hallways.

            Bleep, “Will Officer and Luteniut Tehl report to commander Shea’s office.  Will Officer Artemis and Officer Lana report to Commander Smith’s office please, thank you.” Bleep. (KM: I kept the spelling errors in to show you how bad this was, even WITH spellcheck’s help.)

            Officer Tehl, also known as Artemis pushed a small button on his telicast and replied.  “On our way!”

            Artemis is a tall, handsome, silver haired man with piercing blue eyes in his late 40’s.  His wife, Officer Tehl, or Lana, was a tall slim black haired beauty in her mid 40’s. (KM: Wow, nothing like a good “Bash-you-over-the-head-with-a-description” to start off a book.)

            “Artemis.”

            “Yes Lana?” Artemis asked turning around nearly colliding with his wife.

            Lana narrowed her green cat eyes, tossed her head and ordered.  “We should go this way, it’s faster.” She said pointing to a long hallway on the left. (KM: Why does Lana sound like she’s 13 when it’s established she’s supposed to be in her 40s? Because I was 13 when I wrote this.)

                        Together they walked down the long colorless hallway, their footsteps echoing on the empty walls.  Hundreds of doors cluttered the walls but Lana and Artemis walked on, ignoring them.  At last they reached the end of the hallway. (KM: The descriptions…they pain me)

            “Open.” Lana commanded the door.  It beeped, a few lights flashed, and then it opened.  Lana and Artemis walked into a white room with a big metal desk in the center of the room.  Behind the desk was a small mousy-looking woman with big, round, bottle cap glasses that magnified her eyes. They perched on her nose, as she peered down at them.

            “Commander Smith will see you now!” She squeaked.

            Artemis smiled, his white teeth glinting, and said.  “Thank you!”

            “Your welcome” She squeaked falling off her stool in surprise.

            Lana and Artemis made their way toward a tall gray door in the back of the room.  They straightened their gray Galaxy Command Uniforms that had a small 4 pointed star in the left shoulder, pushed their hands into the gel pad, waited while it read their fingerprints, than entered the room once the door swung open. (KM: If you’re still reading this by this point, you have my admiration.)

            The office was large and spacious.  The floor was covered in thick navy blue carpeting.  The walls were white with a few oil paintings scattered around.  There was a huge window in the back of the room that allowed the Commander to see out into space.  An oak desk was placed in the center of the room with two large comfortable blue leather chairs in front of it.  The commander was sitting in a large silk covered chair behind the desk.  She was paging through a file, unaware of her company.  She had short dirt brown hair with sharp brown eyes.  Her smile lines were barely visible even though she had just turned 45.  She had a kind, warm face with a tall muscular build.  This was Commander Smith, one of the nine commanders of the Galaxy Command Force, and Captain of The USS America, the huge space ship that Lana and Artemis were standing in now. 

Wow. That was worse than I expected. I’ll give you a moment to recover…Okay, let’s put that monstrosity behind us and move on to the first page of Swan Lake! (Disclaimer: This page of Swan Lake hasn’t yet been edited.)

Odette missed her fingers the most. That was probably the worst part about not being human—the inability to grasp things and pick them up. On second thought, she really missed her legs too, and her arms of course…so perhaps Odette just missed being human. Irritated, she dragged her orange beak through her white feathers as she floated on the lake’s surface and waited impatiently for the sun to set.

There’s much to do tonight. The first of the casks have arrived; they’ll need to be inspected. If they leak, it will be a disaster.

The setting sun was hidden by the thick forest that surrounded most of Swan Lake, but Odette could tell by the darkly stained sky that it wasn’t much more than a sliver on the horizon. She bobbed up and down in the water and watched a large white swan peck a fluffy gray fledgling—a cygnet—the only one of their flock.

Zina got back from her solo run to Torrens. I’ll need to hear her report and make arrangements to receive the rest of our payment from the client…

The water beneath Odette’s white swan body glowed. Droplets of water began to float, levitating in the air thanks to the magic that churned around her like a current. Bells clanged, and her wings were pulled back as water encircled her in a smooth cocoon. Light shone everywhere, and the pang of her body stretching out was a familiar comfort. Her feet—her wonderfully useful human feet—touched the sandy bottom of the lake, and the light faded.

Odette had swapped her white swan feathers for barely-tamed, dirty-water-blonde hair. Her eyes were no longer dark, but a bright hazel. She stood knee-high in water, surrounded by people where previously there had been swans.

Odette stretched her arms out in front of her, feeling the peculiarity of her human limbs compared to her swan wings. “Nadia.”

Nadia—a blank-faced woman with dark brown hair that hung over her eyes—nodded. “Role Call. Pyotr and Dima.”

Do you see what I mean? Even in it’s rough format, Swan Lake is a MUCH better read than The Awakening Call. Obviously I’m much older now than I was when I wrote The Awakening Call, but the quality of writing is so much higher, and it’s not all due to age, but also to practice. I have over twenty books available on Amazon, but I’ve written an additional eight or so that will never see the light of day. I don’t regret writing them because they made me a better writer.

So, writers, please don’t be discouraged! Do you see where I started, and you see where I am now? I know it’s hard to carry through and write an entire book, but it’s an extremely rewarding experience, and you won’t get better any other way.

Well, now that I’ve ripped that mandate off, I’m going to retire to lick my wounds a.k.a. re-bury the Awakening Call file. Champions, have a lovely week. Until next time!

 
  • Feb 1, 2016
  • 4 min read

Good news, Snow Queen 2 has finished is first round of edits with Editor #2, and it has already been sent back to her! I didn’t have to add/correct as much as usual, so I am hoping the rest of the edits won’t take long and we’ll be able to stick to a late February release. But on to today’s topic!

Occasionally when I talk to my friends about my job, I’ll bewilder them because I’ll mention releasing/editing one book, and starting another. Most people assume authors start with one book and stick with it from its conception to its launch day, but I’ve found that is an inefficient way for me to work. Today I thought I would shed some light on my work cycle so you can get a fell for my scheduling.

Before I get started writing, I’ve usually been chewing on the story idea for anywhere between a few months to a few years. Right now, in 2016, I’m already starting to think of characterization for books I won’t write until 2017. I try to play around with the stories and have fun long before I’m serious about them because it helps me work through a lot of character and plot ideas.

When I’m ready to commit myself to the story, I usually take a week to plot and plan out the book, and do any last-minute research. In example, for Heart of Ice I researched icebergs and unusual snow phenomena. For The Little Selkie I read up about marine life–particularly seals and sea lions.

The following week I begin writing. This usually takes two to three intense weeks. This is usually when I drop off the face of the planet online, and in real life. (After a full day of writing, I have the tendency to wander around, scruffy and half asleep.) I then usually need to take a few days off of the book to decompress–this is usually when I get caught up on my social media accounts and emails.

Me after writing a book. It's not a pretty sight.

Me after writing a book. It’s not a pretty sight.


The following week I work on editing–a process that can take a week to two weeks. The story will then get passed off to Editor #1, who will go over it for one to three weeks. In the meantime I’m usually editing an old piece of work, or getting another story ready to shine. For example, when Editor #1 was going over Heart of Ice, I was polishing Endeavor for its release. I will occasionally begin writing another book, but usually it’s a King Arthur book instead of a full length novel like a Timeless Fairy Tale. (Note: At this time Myrrhlynn usually gets to see a rough draft so she can begin brainstorming cover images.)

Editor #1 will send the book back to me, and I’ll take at least a week to go over her corrections, and then post it on to Editor #2. Editor #2 usually gets the novel for a month and a half. During that time we’ll pass the manuscript back and forth. The first edit is always the most intense, and usually any following edits are fine-tuning new or problematic scenes. While Editor #2 has the book I am either getting posts and contests lined up for its release, or I’m starting another project.

When Editor #2 is finished, I send it to Editor #1 for a final read-through. Genius Editor #1 usually finishes the final read-through in about a week. It takes me a day or two to make corrections, and then I send it to my final end-all reader: My mother. My mom reads through it in a weekend and lets me know about any typos or errors, then the book is ready to go!

When the book launches I spend the first week observing its reviews and notifying readers that it is available. If I didn’t have time to prepare blog posts about it, now is when I’ll write them, and prep for the following month’s newsletter. If I have everything prepped, then this is when I’m writing my next book.

I almost always balance between two books in the weeks leading up to a new book’s release. When Heart of Ice made its debut I was going over corrections Editor #1 suggested for Snow Queen 2. Now, as Snow Queen 2 is being combed over by Editor #2, I’m plotting and planning my next fairy tale, Swan Lake.

All in all, it usually takes about three to four months for a book to go from plotting to after-launch activities. My turn-around time used to be much shorter, but Editor #1 and #2 are worth their weight in gold, and the time it takes for them to correct my books are crucial. I get around the added time by beginning the writing process much sooner, so there won’t be a big gap between book releases.

And that is the life cycle of a book! Thank you for reading, Champions, I hope you have a lovely week!

 

Recent Blog Posts:

bottom of page